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全新正品日本雅馬哈YAMAHA IM8-40 40路8編組專業(yè)調(diào)音臺

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品牌/型號：雅馬哈YAMAHA/IM8-40
加工定制：否
品牌：雅馬哈YAMAHA
功率：220（w）
型號：IM8-40

<p>雅馬哈YAMAHA     IM8-40  專業(yè)調(diào)音臺<br /> <br />為專業(yè)擴聲提供穩(wěn)定的性能和卓越的聲音，Yamaha公司是全球高端調(diào)音臺制造業(yè)的企業(yè)。IM8系列調(diào)音臺集Yamaha 35年頂級調(diào)音臺制造技術(shù)和經(jīng)驗于一身，將完美無暇的性能和音質(zhì)融入該系列三個中型調(diào)音臺中。Yamaha以最完美的性能和中型級別調(diào)音臺中最實用的功能組合為目標(biāo)，憑借嚴(yán)謹(jǐn)?shù)脑O(shè)計方案制造出IM8系列調(diào)音臺。為確保產(chǎn)品得到最高標(biāo)準(zhǔn)的質(zhì)量保證，該系列的制造和組裝都在日本本土工廠完成，而享譽世界的Yamaha PM系列調(diào)音臺正是出自這家工廠?？梢哉fIM8系列調(diào)音臺的每個部件都將它的調(diào)音用途發(fā)揮得淋漓盡致。每個功能都必不可少，卻又能全盤掌控，操作易如反掌。IM8系列提供高度整合的基本功能，界面友好直觀，可持續(xù)穩(wěn)定地為您演繹高精度的聲音。最適于專業(yè)擴聲用途，無論固定安裝還是移動使用，都能提供專業(yè)級的性能、聲音和控制能力。<br />系列包括<br />IM8-40: 40個單通道4個立體聲輸入/8個輔助8個編組立體聲單通道外部總線<br />IM8-32: 32個單通道4個立體聲輸入/8個輔助8個編組立體聲單通道外部總線<br />IM8-24: 24個單通道4個立體聲輸入/8個輔助8個編組立體聲單通道外部總線<br />PW8供電<br />技術(shù)參數(shù)：<br />主要特性<br />專業(yè)級功能和性能，適于專業(yè)現(xiàn)場擴聲使用。<br />原廠制造組裝，通過最嚴(yán)格的質(zhì)量檢測。<br />所有獨立輸入通道配置Yamaha專有的單旋鈕式壓縮器。<br />強大的主控區(qū)域提供大量信號跳線和控制功能。<br />輸出矩陣使信號的輸出靈活自如，安裝時尤其方便。<br />承襲Yamaha傳統(tǒng)顏色代碼，便于識別和操作。<br />用附贈的Cubase AI4音頻工作站軟件，通過USB音頻I/O接口可以直接進(jìn)行錄音和回放。<br />外部供電最大化提高了調(diào)音性能–<br />雙電源設(shè)計可用于冗余自動保護(hù)操作。</p><p><br />Solid performance and superior sound for professional applications.</p><p>This kit includes the Yamaha IM8-40 Mixing Console and the Yamaha PW8 IM8 Series Power Supply.</p><p>Solid performance and superior sound forprofessional applications. The Yamaha IM8-40 brings experience and know-how accumulated over 35 years in the production of industry-leading mixing consoles to bear in three a mid-size console that cuts no corners when it comes to overall performance and sonic quality.</p><p>Yamaha IM8-40 Mixing Console</p><p>The Yamaha IM8-40 brings experience and know-how accumulated over 35 years in the production of industry-leading mixing consoles to bear in three a mid-size console that cuts no corners when it comes to overall performance and sonic quality. In addition to no-compromise design and development aimed at delivering the finest performance and most useful feature set available in this class, production and assembly are carried out at Yamaha's own domestic facilities the same factories where the legendary Yamaha PM series consoles are produced to ensure unrelenting quality control throughout. Every inch of these extraordinary consoles is well thought out and built for a purpose. There are no unnecessary features, and nothing is out of place. The IM8 series consoles deliver a basic but plentiful complement of features plus truly transparent, high-resolution sound with tireless reliability.</p><p>These are consoles for serious sound applications, and will provide eminently professional performance, sound, and control in permanent installations or on the road.</p><p>Input Channels</p><p>Precision Mic/Line Preamplifiers</p><p>Microphone preamplifiers are one of the most critical sound-defining circuits in any mixer. That's why professional who are serious about their sound often spend thousands of dollars on just a single channel of microphone pre-amplification. The microphone preamps built into the IM8 series consoles inherit technology from Yamahas top-line professional consoles, and have been painstakingly designed to deliver superior sonic performance with any source. They offer low-noise, transparent amplification with the widest possible range of dynamic and condenser microphones as well as line-level signals, which means cleaner, better sounding mixes overall.</p><p>Input Section</p><p>All mono input channels have both balanced XLR type and TRS phone jacks for versatile input connectivity. Inpidual +48V phantom power switches on each mono channel provide phantom power for condenser microphones, and input levels can be optimally matched over a broad -60 dB through +10 dB range with a 26-dB pad switch and gain control. Other input section facilities on mono channels are a phase switch and 80 Hz high-pass filter switch. Stereo input channels provide L and R phone jack inputs as well as pin jack stereo pairs. A gain control allows matching to stereo input signal levels from -34 dB to +10 dB.</p><p>One-knob Compressor on All Mono Channels</p><p>This advanced Yamaha feature can be a tremendous advantage in achieving great sound with a variety of sources. It is ideal for compressing vocal channels, and can also be used to refine the sound of bass, guitar, and other instruments. Built-in channel compression is a premium feature usually only found on the most expensive consoles, but in the IM8 consoles you have Yamahas innovative one-knob compression feature on all mono input channels. Conventional audio compressors with their threshold, ratio, knee, makeup gain and other controls can be complex and time-consuming to set appropriately for a given source. Yamahas one-knob compressor eliminates the need for an engineering degree with a single control that lets you simply dial in the amount of compression you want.</p><p>IM-8 Series</p><p>4-band Equalizer</p><p>Designing a smooth, musical-sounding equalizer is an extremely difficult task that Yamaha engineers have perfected through years of refinement based of feedback from some of the most renowned engineers and artists in the field. The IM8 series equalizers apply this specialized know-how to the fullest degree. All stereo and mono channels have four-band equalizers featuring HIGH, HI-MID, LO-MID, and LOW controls as well as an EQ ON switch that can be used to instantaneously switch the EQ in or out of circuit. Mono channels have sweepable HI-MID and LO-MID controls that allow pinpointing specific frequencies for precise response tailoring or feedback control. The stereo channel HI-MID and LO-MID controls are fixed-frequency peaking types.</p><p>8 AUX Sends</p><p>The IM8 series consoles provide plenty of auxiliary routing capacity for monitoring and handling external effects. All mono and stereo channels feature eight inpidual AUX send controls that can be switched for pre-fader or post-fader operation in pairs (i.e. AUX sends 1-2, 3-4, 5-6, and 7-8). You could, for example, set three of the AUX pairs for pre-fader operation so you have six inpidual monitor sends, while the remaining pair is set to post-fader for use as two effect sends or any other combination that suits your needs.</p><p>Channel Output Control and Routing</p><p>IM-8 Series All channels feature smooth, noiseless full-length faders for level control as well as 3-segment input level meters that provide a valuable visual reference to channel signal levels. The three segments correspond to -20 dB, 0 dB, and Peak levels. The peak indicator lights when the channel signal reaches 3-dB below clipping to warn the operator of impeding clipping distortion. Bus assign switches assign the channel signal to group bus pairs 1-2, 3-4, 5-6, and 7-8 as well as the stereo and mono buses. Pan controls on the mono channels pan the assigned signal between the assigned odd/even groups as well as between L and R on the stereo bus. Stereo channels have balance controls rather than pan controls. Another extremely useful feature of these consoles is mute groups. Each channel has four mute switches that assign channel muting to the corresponding mute master switches in the consoles master section. You can specify up to four different mute configurations that can be instantaneously engaged or disengaged via the mute master switches. There's also a channel ON switch with indicator, and a PFL switch with indicator for convenient pre-fader monitoring of the channel signal.</p><p>Additional Channel I/O</p><p>All mono input channels feature insert I/O patch points so you can insert compressors, EQ, or other extra signal-processing gear into the channel signal path as required. Direct out jacks are also provided, and these can be internally jumpered to deliver the pre-EQ, pre-fader, or post-fader channel signal as required.</p><p>Master Control Section</p><p>AUX Send Masters</p><p>IM-8 Series The IM8 console master section provides inpidual linear AUX send master faders for each of the eight AUX buses. These smooth linear faders make the IM8 consoles ideal choices for monitor mixing as well as front-of-house operation, affording precise fader positioning with visual feedback for perfectly balanced monitor mixes. Each AUX send master fader has a 3-segment level meter for visual level confirmation, and an AFL switch with indicator for convenient AUX signal monitoring. Insert patch points are provided before the AUX send faders, and the AUX send outputs on the rear panel are balanced XLR types.</p><p>Four Stereo AUX Returns</p><p>Four stereo AUX returns are ideal for returning signals from external effects such as reverb and delay to the console. In addition to assign switches that allow the returned signals to be assigned to group bus pairs 1-2 through 7-8, rotary AUX 1 through AUX 4 controls can be used to send the retuned signals to the corresponding AUX buses at the specified level. Of course there's a master return level control for each of the four stereo returns, as well as PFL switches with indicators for easy pre-fader monitoring.</p><p>Matrix Out</p><p>IM-8 Series The IM8 series consoles feature four matrix outputs that can be fed signals from all eight of the group busses as well as the stereo and mono bus. Inpidual level controls for each source bus are provided for each of the four matrix outputs, along with a master matrix level control and AFL switch for local signal monitoring. The matrix is a convenient and configurable system for providing additional output mixes for any number of utility applications: extra monitors, dressing room feeds, lobby sound, and more.</p><p>Mute Masters</p><p>These four switches instantly mute or un-mute all channels on which the correspondingly numbered MUTE switches are engaged. This allows you to set up as many as four different channel mute configurations and engage or disengage them instantly as required. This is a great way to handle multiple bands, for example, or to shut down specific groups of microphones when they're not being used.</p><p>Talkback Section</p><p>In addition to a rear-panel mounted microphone connector and the standard ON switch and level control in the master section, the IM8 series consoles offer versatile talkback routing with eight switches that assign the talkback signal to inpidual AUX bus pairs (1-2, 3-4. 5-6, and 7-8), all group buses, the stereo and mono buses, or any of two matrix output pairs (1-2, 3-4).</p><p>Monitor Section</p><p>IM-8 Series Any time you press an AFL (after-fader listen) or PFL (pre-fader listen) switch anywhere on the console the corresponding signal is sent to the rear-panel monitor outputs as well as the headphone output. At the same time the PFL or AFL indicator in the monitor section will light to indicate that one or more AFL/PFL switches are active. The indicators associated with each AFL and PFL switch let you see which ones are active at a glance. The monitor section also features level controls for the monitor and headphone outputs, and a precise 12-segment level meter.</p><p>Stereo and Mono Masters</p><p>Balanced XLR type output jacks on the rear panel deliver the console's stereo output, and the level of the signal appearing at these outputs is controlled via the L and R stereo master faders. An ON switch turns stereo output on or of, and a precise 12-segment level meter with peak indicators shows stereo signal levels. The stereo master faders have PFL as well as AFL switches, allowing both pre-fader and after-fader monitoring of the stereo bus signal. The mono bus output is also delivered via a balanced rear-panel XLR type connector, and the level is adjusted via an independent master mono fader with ON switch, 3-segment level indicator, and AFL switch/indicator. Both the stereo and mono buses also feature pre-fader insert patch points on the rear panel.</p><p>Group Outputs</p><p>All eight group buses feature full-length faders for precise level control, as well as 3-segment level indicators for convenient visual level monitoring. In addition to being output from the corresponding balanced TRS phone jacks on the real panel, the group bus signals can be assigned to the consoles stereo and/or mono buses via assign switches located next to the faders. A pan control provides panning capability when a group bus signal is assigned to the stereo bus. AFL switches and indicators are also provided for each group fader. Group jacks provided on the rear panel provide pre-fader insert access to the group signal path.</p><p>2TR IN/USB and REC OUT/USB Sections</p><p>The IM8 consoles feature 2-track input and stereo record output facilities in both analog and digital formats. Analog 2-track input can be connected to the console via the rear-panel stereo pin jacks or a stereo mini-phone jack on the front panel. Assign switches allow the received 2-track signal to be sent to the stereo and/or mono buses, while a rotary control adjusts the signal level. A PFL switch and indicator are also provided for easy monitoring of the 2-track signal. Conversely, the signal from the stereo and/or mono buses can be assigned to a pair of pin-jack record outputs on the rear panel for connection to an external 2-track recording or similar device. The functions of the 2-track inputs and record outputs are duplicated by a USB terminal that can be used to transfer the corresponding digital audio signals to and/or from a computer running the supplied Cubase AI4 audio workstation software for direct digital recording from the console or playback via the console.</p><p>Front-panel Stereo Mini Phone Jack Input</p><p>A stereo mini phone jack on the console's front panel provides a conveniently located input for a portable audio player or similar device used to supply BGM, sound effects, or any other audio signal to be fed to the consoles 2TR IN channel.</p><p>Yamaha PW8 IM8 Series Power Supply</p><p>External power supply for Yamaha IM8 Professional Mixer Series. Maximizes console performance dual power supplies can be used for redundant failsafe operation.</p><p>Yamaha IM8-40 Mixing Console with PW8 Power Supply Specifications:</p><p>· Yamaha IM8-40 Mixing Console</p><p>· Frequency Response</p><p>· ST OUT, GROUP OUT, AUX SEND, MONITOR OUT, REC OUT, -3.0 dB min, 0 dB typ, 1.0 dB max, GAIN: min (CH INPUT 1, ST CH INPUT 1-4), 20Hz-20kHz, nominal output level @1kHz, input: CH INPUT 1, ST CH INPUT 1-4, RETURN, 2TR IN</p><p>· Total Harmonic Distortion (THD+N): ST OUT, 0.1 % dB</p><p>· Hum & Noise (Hum & Noise are measured with a 6dB/octave filter @12.7kHz; equivalent to a 20kHz filter with infinite dB/octave attenuation):</p><p>· CH INPUT 1; EIN (Equivalent Input Noise): Rs=150Ω, GAIN: max, -128 dBu</p><p>· ST OUT, GROUP OUT: -80 dBu, ST GROUP Master fader at nominal level and all Ch assign SW's off.</p><p>· AUX SEND: -75 dBu, AUX Master control at nominal level and all Ch mix controls at minimum.</p><p>· ST OUT, REC OUT -64 dB, ST, GROUP Master fader and one Ch fader at nominal level.</p><p>· ST OUT: -98 dB, Residual Output Noise.</p><p>· Crosstalk @ 1 kHz: adjacent input, -70 dB STEREO OUT L/R, CH 1, PAN panned Hard left or right.</p><p>· Maximum Voltage Gain @1kHz (all VR are MAX when measured) *PAN/BAL: panned hard left or hard right.</p><p>· Rs=150Ω,INPUT GAIN: max CH INPUT*1 to CH INSERT OUT: 60 dB, CH DIRECT OUT: 60 dB, MASTER INSERT OUT (ST, GROUP, MONO): 70 Db, ST OUT, GROUP OUT: 84 dB, MATRIX OUT: 94 dB, REC OUT: 62.2 dB, MONO OUT 84 dB, MONITOR OUT: 80 dB, PHONES OUT: 79 dB, AUX SEND, PRE: 80 dB, AUX SEND, POST: 90 dB, MASTER INSERT OUT (AUX), PRE: 76 dB, MASTER INSERT OUT (AUX), POST: 66 dB, Rs=150Ω, INPUT GAIN: max ST CH INPUT 1-4 LINE to ST OUT, GROUP OUT: 58 dB, AUX SEND, PRE: 54 dB, AUX SEND, POST: 64 dB, RETURN to ST OUT, GROUP OUT: 20 dB, AUX SEND: 26 dB, 2TR IN to ST OUT: 27.8 dB, TALKBACK IN to ST OUT, GROUP OUT, AUX OUT: 70 dB</p><p>· Input HPF, CH 1: 80Hz, 12dB/oct</p><p>· Input equalization (+15, -15dB maximum) Turn over/roll-off frequency of shelving: 3dB below maximum variable level.</p><p>· CH INPUT: HIGH: 10kHz: shelving Hi-MID: 400-8kHz: peaking</p><p>· Lo-MID: 80-1.6kHz: peaking LOW: 100Hz: shelving</p><p>· ST INPUT: HIGH: 10kHz: shelving Hi-MID: 3kHz: peaking</p><p>· Lo-MID: 800Hz: peaking LOW: 100Hz: shelving</p><p>· LAMP IM8-40: 3pcs, IM8-32, IM8-24: 2pcs - XLR-4-31 type, The LAMP voltage is 12V DC between 3pin and 4pin of XLR-4-31 connectors. Each lamp can use 5W max.</p><p>· Signal Indicator, CH INPUT *1 ST CH INPUT 1-4 INSERT OUT signal: 3 points LED meter (PEAK, 0, -20 dB)</p><p>· GROUP, AUX, MONO OUTPUT Indicator: PEAK lights if the signal comes within 3dB of the clipping level.</p><p>· LED Level Meter: Post ST Fader Pre MONITOR Level: 4x12 points LED meter (PEAK, +10, +6, +3,0, -3, -6, -10, -15, -20, -25, -30 dB)</p><p>· USB Audio: USB IN/OUT</p><p>· Compressor (COMP): CH*1</p><p>· Dimensions: Height: 219mm(8.62), Depth: 739mm(29.1), Width: 1716mm(67.6) [40ch], 1471.5mm(57.9) [32ch], 1227mm(48.3) [24ch]</p><p>· Net Weight: 51.5kg(113.5lbs) [40ch], 44.5kg(98.1lbs) [32ch], 37.5kg(82.7lbs) [24ch]</p><p>· Accessories: Power Supply Cable (3m), USB Cable (1.5m), DVD-ROM (Cubase AI4)</p><p>Yamaha PW8 IM8 Series Power Supply</p><p>· Secondary Voltage: +/- 15V, +12V, +48V (Phantom Voltage), no load</p><p>· Abnormal Condition of Secondary Voltage: +15V green LED: turn off less +10V or more +21V; -15V green LED: turn off less 21V or more 10V; +12V green LED: turn off less +7.6V or more +18V; +48V (Phantom Voltage) green LED: turn off less +32V</p><p>Power Consumption: 265W(40ch), 230W(32ch), 200W(24ch)</p><p>Dimensions</p><p>· Height: 100.5mm (3.96"), Depth: 412mm (16.2"), Width: 480mm (18.9")</p><p>· Net Weight: 11kg (24.3lbs)</p><p>Yamaha IM8-40 Mixing Console with PW8 Power Supply Features:</p><p>· Yamaha IM8-40 Mixing Console</p><p>· 40 Input Channels</p><p>· Precision Mic/Line Preamplifiers</p><p>· Versatile Input Connectivity</p><p>· One-knob Compressor on All Mono Channels</p><p>· 4-band EQ</p><p>· 8 AUX Sends</p><p>· Channel Output Control and Routing</p><p>· Additional Channel I/O</p><p>Master Control Section:</p><p>· AUX Send Masters</p><p>· Four Stereo AUX Returns</p><p>· Matrix Out</p><p>· Mute Masters</p><p>· Talkback Section</p><p>· Monitor Section</p><p>· Stereo and Mono Masters</p><p>· Group Outputs</p><p>· 2TR IN/USB and REC OUT/USB Sections</p><p>· Front-panel Stereo Mini Phone Jack Input</p>

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廣州市番禺區(qū)市橋百豊恒音響設(shè)備商行是注冊于中國大陸的合法企業(yè)，總公司設(shè)立于香港，是國際音視頻品牌在東南亞地區(qū)的核心代理商，是東南亞地區(qū)工程項目主要供貨商之一，主營國際品牌原廠推薦全新的專業(yè)級項目音頻集成設(shè)備。
包括網(wǎng)絡(luò)音頻集成、現(xiàn)場演繹擴聲、影劇院、歌舞廳、商業(yè)及工業(yè)級擴聲、多功能會議、同聲傳譯、體育場館擴聲、公共廣播、園林傳聲、水底特種傳聲、錄音室、高端夜總會KTV、多媒體電教、智慧管理等專業(yè)音視頻設(shè)備代理銷售和服務(wù)。
代理國際品牌專業(yè)音頻類集成設(shè)備批發(fā)供貨，以及音視頻智能集成項目策劃，原廠原包正品供貨。拒絕假冒偽劣！拒絕山寨垃圾！拒絕二手舊貨！
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音頻矩陣；網(wǎng)絡(luò)矩陣；媒體矩陣；DANTE矩陣；AVB矩陣；
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CD打碟機、DJ混音臺；DVD藍(lán)光機；SD/MD錄音機；磁帶錄音卡座；
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無線話筒；錄音話筒；樂器話筒；電源時序器；音頻擴展器；電子音頻周邊。

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公司地址	廣州市番禺區(qū)市橋街西環(huán)路1165-1185（單號）第5層A016	統(tǒng)一社會信用代碼	92440101L318528584
組織機構(gòu)代碼	L31852858
營業(yè)期限	無固定期限	經(jīng)營狀態(tài)	在業(yè)
公司類型	個體工商戶	成立日期	2010-03-15
法人代表	鄒家欣	注冊機構(gòu)	廣州市番禺區(qū)市場監(jiān)督管理局
經(jīng)營范圍	廣播設(shè)備及其配件批發(fā);電影設(shè)備及其配件批發(fā);家用電器批發(fā);家用視聽設(shè)備零售;電子產(chǎn)品零售;舞臺燈光、音響設(shè)備安裝服務(wù);

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